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Perhaps we shouldn’t so surprised at the whiteness of Fury Road, given the consultant that the director chose: Vagina Monologues creator Eve Ensler, who has been subject to many criticisms around her dealings with women of color. Kravitz and Eaton’s characters do survive the film, and having a person of color standing at the end makes Fury Road a rare unicorn within the post-apocalyptic genre. “Ethnically ambiguous” seems to be the only type of racialized woman who makes it to the end of the world. Many have claimed the film put women ahead - but which women? Certainly not women who are very visibly racialized through curves and features.
The effect is the aesthetic of a Chanel runway, with one or two women of color for flavor. Neither held a lead role, and some audiences seem to have missed that Eaton was non-white, citing Kravitz as the only identifiable woman of color.īy contrast, Fury Road offers variety of white men, some tall, some thin, some not so thin, and a posse of beautiful cisgender white women who serve as “breeders” - sexual and reproductive slaves - for the cult leader of this corner of the post-apocalyptic world, Immortan Joe. Out of 15 characters listed in the opening credits, only two are visibly people of color: Toast the Knowing, played by Zoe Kravitz (who is biracial, Black and Ashkenazi Jew), and Cheedo the Fragile, played by Courtney Eaton (who, according to Australian tabloid The Sunday Times, “credits her father with her Caucasian looks,” but has Maori, Pacific Islander and Chinese lineage). Despite being set in Australia - historically an Aboriginal country - and filmed in Namibia, the world of Fury Road is eerily white. However, there’s another thing missing in Fury Road: people of color. The math does not add up.Īs Eileen Jones notes, when you actually look for the feminist plot elements in Fury Road, there’s not much there. Charlize Theron being the real the star of the film, with the titular character really only acting as her support.Although most of our world is not white, the end of the world is always so.
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The movie also features some surprisingly good performances. You want to believe the fiction because of the quality of the production. This is only really possible because the action, filmography, set choices and music are so brilliant you cannot help but believe the insanity that plays out before you. The movie keeps a relentless action pace that makes all of the absurdity seem so completely ordinary, which might be the real magic of this movie. Miller created a fantasy world where men playing flame throwing guitars and leaping through high speed chases on pull-vaults seems like a typical milk run.
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What is perhaps the most enthralling part of the film is the absolutely absurd story and world building. The action sequences are mesmerizing and the work of a true master craftsman in action.
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The film is a gripping full adrenaline race across the desert of a post-apocalyptic future. George Miller elevates action and violence to a true art form in this remake of a classic.